- #The second interludium of paul hindemiths ludus tonalis series
- #The second interludium of paul hindemiths ludus tonalis free
‘ fervent, committed, technically dazzling interpretation never has appeared on CD, and it deserves reissue. Pianists who can solve Hindemith’s formidable demands have always had a great deal of fun playing Ludus tonalis, and a really distinguished performance of it can provide much enjoyment for the listener.’ - High Fidelity, May 1966 ‘Its technical and scholarly attributes are happily partnered by humour, charm and a great deal of fertile imagination. However, she made comparatively few recordings: this account of Ludus tonalis is her major legacy, but it has never been made available on CD.
#The second interludium of paul hindemiths ludus tonalis series
Her television debut on the BBC had led to a series of programs back in Stockholm where she lived with her husband at the time, the film director Ingmar Bergman. Having studied with Edwin Fischer, Laretei had performed throughout Europe for the past two decades, becoming something of a celebrity. She recorded Ludus tonalis in a New York studio a few days after presenting it at Carnegie Hall, where she had won over the audience not only with her performance but also a question-and-answer session after the concert.
Having been coached by the composer in the cycle a decade earlier, she incorporated his performance suggestions and amendments to the score into her performance. There is a unique authority to this recording made in October 1965 for the Philips label by the Estonian-Swedish pianist Kabi Laretei. It’s a monument of modern keyboard literature whose forbidding reputation is belied by the approachable and highly varied nature of Hindemith’s writing. The Ludus Tonalis (‘Play of Tones’), written in 1942 and premiered by Willard MacGregor in 1943, is the quintessential model of Hindemiths music theory in practice. The hour-long piano cycle itself finds refuge from conflict in the reassertion of the time-honoured value of counterpoint, comprising twelve fugues and interludes framed by a prelude and its mirror image as a postlude.
Hindemith wrote Ludus tonalis in 1942 while staying the US as a refugee from Nazi Germany. This comparison is made on the basis of a comprehensive analysis of the fugal expositions both collections of fugues mentioned. Bach in the fugue expositions of The Well-Tempered Clavier and that of Paul Hindemith in the fugue expositions of the Ludus Tonalis. $ Ī 20th-century counterpart to The Well-Tempered Clavier in a landmark recording, long unavailable, newly remastered and transferred to CD from the original tapes for the very first time. The problem with, which this thesis is concerned is that of analyzing and comparing the fugal writing and contrapuntal style of J. Why this recording exists is anybody's guess. Was the world really crying out for an orchestral transcription of Paul Hindemith's Ludus Tonalis performing on the Roland XP-50? Probably not: in fact, the world probably was not crying out for any performance at all of Hindemith's twentieth century Art of the Fugue, much less an orchestral arrangement played on a synthesizer. Learn piano Prepare for DipABRSM piano diploma. But now that it's here, the world can only be grateful because, as unlikely as it seems, this is one heck of a performance of Ludus Tonalis. Pavel Zarukin has concocted a captivating orchestral arrangement of the work, has executed it convincingly on the synthesizer, and has performed it compellingly on this recording. Whether it would work in concert performed by an orchestra is beside the point.
3, Interludium (Moderate, with energy) Paul Hindemith. Find album reviews, track lists, credits, awards and more at AllMusic.
The only reality here is Zarukin's performance on this recording and that performance on this recording is simply magnificent. Discover Hindemith: Ludus Tonalis by Ivo Janssen released in 1990.
#The second interludium of paul hindemiths ludus tonalis free
Ludus tonalis by Paul Hindemith, 9783795795627, available at Book Depository with free delivery worldwide. Ludus tonalis ('Game of Tones') (1942) by Paul Hindemith - Influenced by Bachs Well-Tempered Clavier - Opens with a Praeludium, resembling a Baroque toccata or fantasy. Zarukin plays with strength and sensitivity and the recording captures it with vivid immediacy. THE SECOND INTERLUDIUM OF PAUL HINDEMITH LUDUS TONALIS FREE The cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards.
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